Welcome to Della Galton’s website

Writing With Emotion – Four Top Tips

Writers are in the business of selling emotion. I forget who said that, but it’s true. We read – or at least I do – because we want to feel something. We might want to feel amused, uplifted, scared, touched, nostalgic or excited – or any combination of these. But we always want to feel something. We want to escape into an alternative world. A good writer will take us there. They will make us feel emotion. How do they  do it? Well I can tell you how I do it.

  1. Create Larger than Life REAL FLAWED Characters We have to care about the characters. Which means they have to be interesting. They need something that we love or possibly hate about them. They cannot be bland. They should be larger than life. Thing big.  Flawed characters are great.  So give your characters flaws. This is part of a review left on Ice and a Slice by James Nash. ‘This is ‘real life’ in all its complicated glory, challenging, gritty and very, very funny.’ Paradoxical flaws are the best I find. Especially if you don’t tell the reader straight away why the character has them. For example, in my novel The Morning After The Life Before, one of the main characters, Didi, has a phobia of white.  She can’t eat white food, she can’t keep milk in her house. She can’t have white appliances in her kitchen. Yes there’s a very, very good reason and it’s a vital part of the plot but I don’t reveal that until later in the novel.
  2. Use Universal Truths We all know what it’s like to feel we don’t fit in. That we’re not good enough. That we’ve been abandoned. That we’re not loved. We all know what it’s like to be human. Capitalize on these universal truths. Make your characters feel them. Transfer onto the page how you felt – when YOU felt these very powerful emotions.
  3. You MUST Care It’s very hard to write emotion by numbers. The first person who has to care about the characters is you. And I mean you have to really care. You can’t just pay lip service to it.  You can’t write emotion from a distance. You have to care so much you’ll feel pain if your character were to die. Bring this pain in from your own experience. We all know what it’s like to feel extreme pain. Use it, relive it, get it on the page. Wring out your soul. That may sound overdramatic (not to mention painful!) but it really works. What comes straight from the heart goes straight to the heart. If you feel it I guarantee your readers will feel it too. Don’t hold back. Don’t skate over emotions – they are everything. Absolutely everything.
  4. Go For High Stakes Give your characters emotionally charged dilemmas.  Make the stakes high. Loss of love, loss of life, loss of family. If you take us into a war zone I guarantee we’ll care. If you take us to a life threatening situation or a death bed situation we’ll care. If you show us the tenderness between mother and child, or of any kind of unconditional love we’ll care.

Also – try to keep it real. We are interested in the nitty gritty bits of human life. The specific details.

I’ve had some amazing feedback on my Ice series. I’ve had many many emails from reader telling me they loved SJ because she is warm and very flawed.  In Ice and a Slice she is struggling with a drink problem. She is very much in denial. One of my reviews for Ice says, ‘SJ is flawed and vulnerable and sweet but also sometimes self centred and thoughtless, just as people in real life are. She often tries to do the right thing with it backfiring spectacularly – sometimes with comic results.’

I was so thrilled to read this. And it brings me on to my next point.

One last bonus tip. Pathos and humour are amazing if they are on the page side by side. One will point up the other. Don’t be too dark. There is humour in the darkest situation. And actually, not so often quoted, there is pain in the lightest situation. 

Ice and a Slice is half price between December 27th 2015 and January 3rd 2016

Book two in this series, The Morning After The Life Before, is half price between Jan 3rd 2016 and January 10th 2016.

Happy New Year 🙂

The Morning After The Life Before

It’s publication day for me. The Morning After The Life Before is now out in the world. Oh gosh. I don’t think there is anything quite as scary.  I used to think that finishing the book was the end, but it isn’t, is it. It’s just the beginning and the really scary bit is waiting to hear what people actually think of it! And if anyone’s a fast reader that could be very soon. Gulp.

I am very proud of this one though. The Morning After The Life Before has a lot of me in it. As all of our stories do, don’t they. Not necessarily the bits you think though. A very dear friend of mine once told me I wrote in code. He meant that there were huge chunks of truth in my writing but they were mixed up with a lot of fiction. And so it is with this one.

I think I mentioned that I wasn’t a dominatrix, didn’t I! That’s the only clue you’re getting. There are some subjects in this novel I never thought I’d touch upon. That really is the last clue you’re getting.  I can tell you though that what I don’t know I research thoroughly and I think that the emotions of what I write about are authentic. I hope you’ll see that if you do decide to read it.

Here’s the first chapter for free.

Chapter One

SJ gave a very deep sigh and glanced once more at the phone. For the last two hours and twenty-two minutes, not that she was counting, the phone had become the focal point of her front room. No, not just her front room – her entire life.

The phone had sat in its cradle on the table by the television. She had sat on the sofa next to it, flicking surreptitious glances at it, while pretending to read Cosmopolitan and occasionally getting up to check that the display was still working in case there was a power cut.

“What if there is a power cut?” she’d said to Penny when they’d done the handover. “I have the plug-in kind of phone – it won’t work unless it has power.”

“I wouldn’t worry – they’ll phone back.”

“But what if they don’t? I thought you said it’s a matter of life and death. What if they’ve spent the last three weeks plucking up the courage to phone the helpline and this is their final desperate plea for help and then no one answers because there’s a power cut. What if they die?”

“They might die anyway,” Penny pointed out, with unnecessary sharpness, SJ thought, considering she was only trying to get things right. And considering that Penny had actually said – when she’d been trying to persuade SJ to sign up for phone service – that the helpline was a matter of life and death.

“We are the fifth emergency service,” she’d said, a mite pompously, SJ had thought. Especially as she hadn’t bothered to explain what she meant. Clearly, as everyone knew, police, ambulance and fire were the first three emergency services. But what was the fourth? And why weren’t they the fourth?

It was slightly crushing to realise that the Alcoholics Anonymous helpline couldn’t be all that important. Not if they were only the fifth.

“What if I miss the phone ringing because I’m out of the room – say I’m in the bathroom?” SJ had asked.

“I thought you said you had a carry-around phone.” There was a gleam of triumph in Penny’s voice.

“Yes I do, but if there was a power cut I’d be using my back up phone. My in-case-of-emergency, old fashioned, plug-straight-into-the-mains phone, wouldn’t I? So I won’t be able to carry that around, obviously.” SJ sighed patiently and resisted the urge to add, ‘so what have you got to say to that then, Miss Goody Two Shoes, know-it-all, pompous Penny?’ Which she would have done without hesitation once when someone like Penny wound her up.

But which she couldn’t do now because she was no longer that person any more. She was no longer judgmental and impatient and prickly – which she’d only ever been because she was lacking in self-esteem obviously. These days, she was serene and calm and peaceful. Serenity was her middle name. She’d considered, in fact, making Serenity her actual middle name by deed poll. Only there didn’t seem much point because no one ever asked you what your middle name was anyway. And deed polls were probably expensive.

“Someone might be trying to get through right now while we’re talking,” Penny said wearily.

“Right. I see. Yes, okay. Point taken.”

“Someone might be dying right now. So maybe if I could just put the phone down, SJ? Please – if you’re ready to take over. Are you?”

“Of course. Sorry. Um bye.”

“Goodbye, SJ.”

Penny disconnected. The phone rang almost immediately and SJ was so surprised she dropped the handset. Then when she reached to pick it up she knocked over her cup of calming peppermint tea which was on the glass-topped coffee table between her and the phone. Oh crap. The phone was still ringing. The tea pooled across the glass and began to drip down the wooden leg.

Double crap. What if there was some raging, desperate, suicidal alcoholic on the other end of the phone? What if they were pissed off because they hadn’t been able to get through? What if they shouted at her? What if they were an utter maniac? Don’t judge, SJ. Deep breaths, in, out, in, out, in, out. Try to stay calm. Serene and calm is where it’s at. If you feel serene your voice will be serene. Nothing to it. She punched the green button with a finger, intending to say, ‘Yep,’ in that ultra-cool voice that ultra-cool receptionists – usually the ones that worked in PR and marketing companies – were fond of using.

What actually came out of her mouth wasn’t yep. It was yip. She tried again. “Yip, yep, yip, yap.” Oh crap. Now she sounded like the next door neighbour’s Jack Russell terrier.

“SJ it’s me.” Penny’s voice held a note of incredulity. “I’m just – er checking that the phone line transferred okay. “Is – everything all right?”

“It’s fine. Absolutely fine. Couldn’t be better. Sorry, I was practising my – um – my dog whisperer voice. I’m doing evening classes.”

“You’re doing evening classes in dog whispering!”

“Yep. I mean yip. Yip yip, yap, yippety yip – ha ha! What do you think?”

“Very – er – authentic, but do you suppose you could do it when you’re not answering the helpline?”

“Of course. Sure. Sorry.”

SJ disconnected and put her head in her hands, before realising belatedly that her elbows were now in a pool of peppermint tea. Fantastic. Why had she ever thought she could do this? She must be mad. She shouldn’t have volunteered. She should have contented herself with making tea at meetings or acting as treasurer. Even she couldn’t make too much of a hash-up of that. What did she know about giving up drinking anyway? What was she going to say to someone if they did phone up the AA helpline? Oh it’s easy – you just swap your vodka for a mug of peppermint tea. Nothing to it. No one was going to believe that, were they? Everyone knew it wasn’t easy to give up. Not when you’d been drinking on a daily basis for months, or years, or possibly even decades.

She’d only managed to give up because she’d had an utterly brilliant counsellor who she’d gone to see, week after week after week. And let’s face it she probably wouldn’t have done that if he hadn’t also been utterly gorgeous and if she hadn’t also had the most humungous crush on him. Would she have given up drinking at all if she hadn’t fallen in love with her counsellor?

Ironically, it was the thought of the utterly gorgeous Kit that snapped her out of the beating herself up mood she’d fallen into. She cleared up the peppermint tea spillage – grabbed her iPad from the kitchen and found her latest To Do list. At the top of the page she wrote:

Things not to say when answering the AA helpline

1. Yip or yap, or yippety yip – or any possible derivative of the word yip.

2. Yep. (Mainly because it was very hard to inject a decent amount of empathy and sympathy and understanding into the word yep. Yes with a question mark would be better – or yeah if you stretched it out a bit or maybe even yo – that was a pretty cool word around youngsters, these days. Except that yo didn’t sound very sympathetic either. Yo dude – you gotta problem with your drinking? Hey that’s tough. And anyway she wasn’t exactly young. Forty-two might be the answer to life, the universe and everything – but as an age it was well over the hill. How on earth had she got to forty-two anyway?)

3. “Hello, this is the Alcoholics Anonymous helpline – how can I help?”

That would have made the most sense. But unfortunately she couldn’t say that in case it was her mother phoning, or her sister, Alison, or her best friend, Tanya. Not that her mother and her sister and Tanya didn’t know she was a recovering alcoholic. But there were people in her life, these days, who didn’t know. And it wasn’t the sort of thing she wanted to advertise when she answered her own phone. That was the trouble – she had no way of telling whether she was answering a call diverted from the helpline or whether it was someone who wanted to speak to her. It was a conundrum.

Although not that much of one because the phone hadn’t rung for – what – coming up for three hours now anyway. Soon her phone service shift would be over and she could go back to doing her housework or planning her Poetry and a Pint session. In fact, what the heck, why didn’t she do that now? What was she waiting for?

She had barely reached the door when the phone began to ring. SJ stared at it in surprise. She wasn’t imagining it, was she? It was ringing? She took a deep breath and strolled back into the room. This time she was going to get it right. She would be pleasant, polite, with a touch of concern. She would be relaxed, calm, the model helpline attendant. She felt her chest swell a little with pride at the thought. This was her chance to make a difference.

She picked up the phone. “Hello, can I help you?” Oh so simple – why hadn’t she thought of that before?

“Hello,” the girl’s voice was tearstained. “Is that the AA?”

“Yes it is.”

There was a small silence and SJ wondered if she’d sounded sympathetic enough. Maybe she’d been a bit matter of fact, or even abrupt. She sat back down on the sofa, pressing the phone close to her ear. “Are you okay?” she said softly.

“I don’t think I am,” said the girl and now she sounded so scared and so vulnerable that SJ forgot all about herself and how she was coming across and she just wanted to say something, anything that would help – even if it was only for a few moments, a few seconds.

“You’ve done the hardest part,” she said. “You’ve just phoned for help. You’ve made a phone call that could save your life. I know how hard it is to do that. I did it myself once.”

“Did you used to drink a lot then? I mean, really a lot. I don’t just mean wine. I mean, well, bottles and bottles of voddie?” The girl’s voice grew a little fainter and SJ realised she’d drawn away from the phone. She could hear sounds in the background, the clink of a bottle against a glass and the unmistakable glug of liquid.

“Are you drinking now?”

“No,” the girl said. There was a pause and SJ heard her swallowing and the slur in her voice when she spoke again. “No, I’m not drinking. I’m not phoning for myself. I’m phoning about a friend.”

“And is your friend able to come to the phone, honey?”

Another pause to swallow. “No – not really. She’s er… she’s asleep. Maybe when she wakes up.”

“Sure,” SJ said, knowing there was no friend. “So tell me about you. Are you okay?”

There was another long pause followed by a little beep and SJ realised as she held the phone away from her ear again that the display was blank – that the girl had hung up. She sat back on the sofa feeling terribly sad and also a little sick. So her very first call and she’d done nothing. Nothing at all. Somewhere out there was a very scared, very lonely, very drunk young girl and she – SJ – had been utterly powerless to help her.

***

And if you’d like to read on for a mere £1.99 – less than the price of a glass of Chardonnay! Please click here.

Thank you 🙂

 

 

The Novel I Should Never Have Written!

Writing The Morning After The Life Before was probably one of the worst commercial decisions of my writing career. I knew when I began it – after discussions with my agent – that this book would not be taken on by a big mainstream publisher. Why? Because they deemed its predecessor, Ice and a Slice, not suitable to be sold in a supermarket. They felt it ‘showed alcohol in a bad light’ and might upset their alcohol advertisers. Who knew that supermarkets had so much control over the publishing industry? Tongue firmly in cheek.

But… and this is a big but… Why do novelists write books? Love? Money? Fame? Well, for me, this one was a no brainer. It’s feedback from my readers. I have been touched beyond words by the number of people who have emailed and messaged me and left reviews on Amazon for Ice and a Slice. Thank you so much if you are among them.

Knowing you have written a book that has changed people’s lives – in a good way – and that has helped them to face their own demons is priceless. Many, many people asked me if I was writing a sequel to Ice and A Slice. In the end I simply couldn’t not write one. I wrote this novel for all of those people. Once again, I have used my own experiences – as well as researching thoroughly the bits I don’t know about. I do NOT – just for the record – know anything about being a dominatrix. Neither have I ever had a cocaine addiction. Or some of the other wackier things that happen in this novel. But I do know what it’s like to be happy without ever drowning my emotions in alcohol. I know a lot about heartbreak and friendship and love.

Heartbreak and friendship and love are some of the themes that run through this novel.

Without giving too much away and spoiling the book for you – The Morning After the Life Before is about how SJ copes – four and a half years on – with sobriety when it seems as though the whole world – even God – is against her.

Will she even cope? Or will she cave in under the pressure?

I must admit I didn’t know the answer to this one when I set out.

And I’m not about to reveal the ending.

But I hope The Morning After the Life Before might be as helpful as Ice and a Slice was for anyone who has taken the step to give up drinking. And I hope it might give you a few laughs along the way. Because we didn’t give up drinking to have a dull and boring life now, did we 🙂

The fabulous cover was designed for me by Peter Jones. Find out more about his book cover designing service here.

He also re-designed the cover for Ice and a Slice. I love them. What do you think?

The Morning After The Life Before comes out on 5 February 2015 and is available for pre-order here.  Ice and a Slice with its funky new cover is available here. They are both £1.99, less than the price of a glass of Chardonnay!

Thank you for reading.

Wednesday Writing Spot – Don’t Judge a Book by its Cover

Don’t judge a book by its cover.  Hmm, this may apply to people but it definitely doesn’t apply to actual books. That’s exactly what we do.   Covers are everything.

Having a good cover can mean the difference between selling or not selling your book. If you have a big publisher you probably won’t get much say in your cover. Actually if you have a big publisher, they probably won’t get much say in it either. Supermarkets very often have the last word on covers.

If you have a small to medium sized publisher there is every chance you’ll get a lot of say in your cover.  I had a lot of say in the cover of Ice and a Slice.  I love my cover. And thankfully lots of other people have told me they love it too.

It’s quite rare though for people to notice that there’s a message within the title of my cover.  Interestingly, it’s often children who spot this. My friend’s daughters (aged four and six) saw it immediately. ‘Why do the red letters say, I Lie?’ one of them asked.

Because that’s what the character does, I explained, hoping they wouldn’t ask me why the text of the title is also slightly blurred. Luckily they didn’t.

But it’s interesting, isn’t it, what you can do with the title on a front cover.

And if you want to see if SJ, my main character, really does lie, you can click here to buy a copy of Ice and a Slice for less than the price of a glass of Chardonnay.  Cheers!

Getting Very Excited about my Book Launch this Saturday

I have been banging on about this for weeks on Facebook and Twitter, but just in case you’ve been away on Mars, or you don’t use Facebook and Twitter, I wanted to mention one more time that my book launch for Ice and a Slice is this Saturday. And you are very welcome to come along.

I’m so excited. By the time you read this, I will have no grey hairs left and also might even have extra long eyelashes. 🙂

Why I wrote Ice and a Slice

I have alcoholism in my family – my father is a recovering alcoholic – so it’s an issue I’m familiar with. But I didn’t want to write a dark book about it. Or not too dark anyway.  I also wanted to write about it from a woman’s perspective.  There are lots of novels that are written about alcoholism, from a woman’s perspective, but fewer that are written about women who are alcoholics themselves.

What it’s about

Ice and a Slice is the story of Sarah-Jane, (SJ to her friends) who discovers she can’t stop drinking.  On the surface her life is fine. She is happily married to Tom (well at least she thinks she is – he works away so much she doesn’t often see him).  She’s also fallen out with her sister and they no longer speak. But SJ is determined to sort that out one day.

At least her best friend, Tania, is on her side, although lately Tania is increasingly preoccupied with her own (secret) problems.  SJ feels very alone sometimes and quite scared, but it’s not as though she’s an alcoholic, is it? She doesn’t keep a bottle of vodka by her bed. She doesn’t even drink every day – well not till the evening anyway.    

It isn’t until she seeks the help of Kit, the hunky guy at the addiction centre, that she realises things may have got a little more out of hand than she thinks. 

SJ is by far the most three dimensional character I’ve ever created. I fell in love with her from the very first chapter.  Mostly I think because she is so flawed and so human.  And yes, she is based on someone I’m close to – although I’m not telling you who J  But one of the reasons that I love this novel  so much – and I don’t say that lightly, I’m the biggest self critic around – is because it’s the one in which I think I found my true voice.

I didn’t realise it was going to happen.  In fact, after so many years of writing, I thought I’d already found my voice – and I think I have as far as short stories go – but novels are different, aren’t they?  The canvas is bigger, the pace is different – everything is different. Although I loved writing my first two novels, Passing Shadows and Helter Skelter, writing Ice and a Slice was like being in another dimension.  It was easy to write – the words flowed out of me – I didn’t have to plan what SJ would say – she just said it. Being inside her head felt like putting on a second skin.  It was an amazing feeling.  And I’ve had some amazing reactions to this novel.   Since it came out for Kindle at the end of March it’s had 26 five star reviews on Amazon.co.uk and 3 five star reviews on Amazon.com. I’ve pasted the most recent one below. Not because I want to blow my own trumpet, but because I feel humbled that Ice has touched people enough to say such lovely things about it.

I’ve always loved Della Galton’s short stories and I have to say Ice and a Slice is a writing triumph as a novel. I loved the characters and I can honestly say from when I started reading it I could not put it down – even to go and get a G & T with ice and a slice! This is a book you must not miss.

Bookworm

My book launch for Ice and a Slice is being held on Saturday 13 July at the Red Lion Pub in Sturminster Marshall. I will be there signing books between 11 and 4. If you’d like to come along I’d be delighted to see you.

If you’d prefer to read the digital version you can borrow it for free if you’re an Amazon Prime customer. Or buy it for £1.94 (less than the price of a glass of Chardonnay) by clicking here.

Thank you for reading.

Della Galton x

The Truth About What Happened at my Parents’ Ruby Wedding Anniversary by SJ Crosse, currently starring in Ice and a Slice by Della Galton

Hello everybody.   Here I am – finally – it took me a little longer than I expected to hack into Della Galton’s blog, but I managed it eventually. Da daaa!

Della Galton, who shall hereby be known as Teetotaller Big Knickers (TBK for short) doesn’t know I’m here so I’m going to have to be quick.

Right then. Now, as I’m sure, you all know, being an intelligent lot (We wordsmiths are very intelligent, aren’t we) that the reason I’m here is so I can set the record straight and tell you the truth, the absolute truth, and nothing but the truth, (rather than the, quite frankly, libellous version in Ice and a Slice) about what happened at my parents’ ruby wedding anniversary party.

Am I really here? (Pinches self to check) Ouch! Did that too hard!  (note to self to pinch lighter in future, or somewhere it doesn’t hurt, or maybe have a little restorative G&T, I mean T, I mean TEA prior to pinching…)  Never mind, where was I?

Ah yes, setting the record straight.  Now, if you do happen to have read Ice and a Slice (I’m the star, did I mention that?), well all I can say is that I hope you didn’t believe what you read. I’m not as bad as TBK makes out, you know. (nowhere near) In fact I hardly ever drink as a rule (except tea of course). And all that stuff she said I got up to at my parents’ Ruby Wedding Party. Well it’s nonsense, of course. Or at best, grossly exaggerated. I mean, I’m sure you didn’t believe a word of it, did you J

For a start I did NOT wreck my niece’s chances of a bit of how’s your father with her boyfriend.

That absolutely did NOT happen.  I would never do anything so insensitive as to barge into someone’s private bedroom and cause a big scene (even if they weren’t supposed to be in there and it was dark and I thought they were someone else.) I’m talking rhetorically now, of course, because that bit didn’t happen.

Basically, the true story is that Tom (he’s my husband) and I went to my parents’ Ruby Wedding Anniversary.  And just for the record, I did not make lists of excuses not to go.

I did not – and never would – invent a whole pile of reasons so I didn’t have to be in the same room as my sister for five years. I would never do such a thing. I l…l…lo….loathe, I mean love my sister. I LOVE my sister to bits in properly sisterly very nice fashion, as all sisters should!

Anyway, we went to the party, and it was all very lovely, and everyone got on frightfully well, and we all sat around and ate egg and cress sandwiches and cheese and cucumber sandwiches with the crusts cut off and we drank lovely big cups of tea. (I love tea).

And there was no drunkenness (apart from the darts players – their wives were the worst – oh and my aunt Evie – she’s an old soak!). And there was no lying down under the fridge (certainly not by me). And that pea story that TBK told you – you know about the escapee pea – there’s a pun there somewhere, escapee pea – escapea – da daaa. I’m a whizz with words, you know. I teach poetry and a pint on Wednesday evenings, and we have such fun. And we all sit around reading poetry and drinking pints of – um – tea.

Anyway, where was I? Ah yes the party, well all the stuff TBK wrote about what I did in the book. It’s all complete nonsense.  Actually, I’ll let you into a secret, shall I? It’s TBK who’s the drunk, not me. You should see her when she gets going – dances on tables and everything. (And she can’t dance either, but she thinks she can.) It’s hilarious – if ever you get the chance to watch her, you know if she invites you to a party or anything, do go. And take your camera.

I’d go but there wouldn’t be any point. I don’t drink, you see.  I’m practically teetotal – did I mention that?

Ha! So stick that in your pipe and smoke it, TBK Galton.

(Oh – and if you want to read TBK’s version of events – then you’ll have to buy the book. Ice and a Slice it’s called.) Click here to check it out. Bits of it are quite good. The bits that show me in a good light like when I’m – um – helping people with their charity work and – um – knitting jumpers for poor people. I do a lot of knitting in the book. It’s on page – um – 45 the knitting bit. (I think.)

But bear in mind – the party bit is all lies, lies, lies. Complete nonsense. I shall be doing more setting the record straight very soon. Watch out for me in blogs around the country!  Oh, and if you want to book me, you’ll have to go through my agent, TBK (Della Galton), or you could just sneakily get in touch via my Facebook Page, Ice and a Slice (which she’s not allowed on). Or email me at SarahJaneCrosse@Googlemail.com. Or tweet me @SarahJaneCrosse. Look forward to hearing from you very soon.

Bye for Now. SJ xxx

Ice and a Slice, Chapter One

Just in case you’re short of some reading material on this lovely, brrrr, summer weekend, here’s Chapter One of my new novel, Ice and a Slice…

Chapter One

The first thing she noticed was the tinny metallic taste in her mouth. And then came the thirst. The thirst was so bad it had got into her dreams and forced her awake. No, not awake, aware – a slowly growing awareness which was coming, sense by sense.

Like sound. She could hear an echoey blur of footsteps and voices, which rolled in and out of her head. Closer by, something electronic beeped. Beep, beep, beep – steady and rhythmic – beep, beep beep.

Where was she? She opened her eyes and was hit by a wall of light. She shut them swiftly. She felt as though she was made of crystal, cool and brittle. She was a thin glass person who could be shattered by the slightest touch.

After a while she tried opening her eyes again. This time the room swam in various shades of light, but she managed to squint long enough to focus. To her left was a tall metal stand with a clear bag of fluid clipped to the top. To her right was some kind of machine, which seemed to be the source of the beeping. Close to her cheek was the edge of a thin blue woven sheet, but it felt more like a tablecloth than a sheet. She shifted a little to get away from its roughness and her head spun.

“So you’re awake then?” A blurred face leaned over her. She made out red lipstick, a thin line of a nose, kind eyes.

“Drink?” she gasped.

The face moved away, then loomed back in and she was aware of a straw close to her mouth. “Take it steady.”

Ignoring the advice, she sucked greedily and her throat was suddenly awash with coolness – the wonderful coolness of water – and then she was retching, choking, drowning. A firm hand supported her back. “Easy does it.” She tried again, more carefully, and this time with more success.

“You’re in ICU,” the voice went on. But she wasn’t really listening, didn’t really care; there was nothing more important than water; the need for it blanked out every other sense, every other feeling.

It was about thirty seconds later that the pain kicked in.

There was a deep, deep ache in her lower back, sparked off by the movement of leaning forward to drink. She moaned and the voice returned. “Gently does it, love. Slowly, slowly…”

The other voices – the further away voices – were still rumbling in the background and now she could make out odd snatches.

“She’s in a very weakened condition – I really wouldn’t advise visitors.”

“I want to bloody well see her. Tell him, Jim. Tell him we want to bloody well see her now.”

Oh God, that was her mother. What was her mother doing here? And why was she swearing? She never swore. Something bad must have happened. Something very, very bad.

Beneath the awful aching her heart began to thump harder and the beep of the machine sped up to keep time.

Then all at once they were there; the lumbering shadows of her parents sliding into the light. Her father bulky and silent – he never said much, he couldn’t get a word in edgeways most of the time – and her mother in her Evans black and white knitted jacket.

“Oh, Sarah-Jane, whatever are we going to do with you? Whatever are we going to do with her, Jim?”

Her mother’s usually ruddy cheeks were pale and she didn’t look as though she’d combed her hair lately. She was shaking her head now, a frown creasing her forehead, and her face was reproachful.

“It’s okay,” Sarah-Jane began, desperate to reassure them, but she only managed the very first bit of the ‘it’ so her voice resembled that of a mouse – a very small mouse caught in a trap – and the hand she’d meant to lift to calm her mother seemed to be attached to a wire. She glanced at it, which turned into a painful and rather shocking moment as there was a needle in the top of her hand which led to the wire which, in turn, led to another machine that looked like an old fashioned typewriter.

“Oh,” she said. “Oh…oh…”

“What’s she saying, Jim? Do you think we should call the doctor?”

Something niggled at the back of her mind. It was something to do with a party. Had she been at a party? A snapshot of memory drifted in. Herself draped on a chair watching someone walk across the terracotta carpet. They were carrying a tray of mushroom vol-au-vents.

“SJ, love, can you hear me?” The kindness of her father’s voice brought a sharp ache to her throat. “SJ, lovie?” He’d moved closer to the bed and was holding her hand in a fumbling, awkward kind of way. They had never been a touchy feely family. And when she looked up at him she saw that his eyes were full of tears and the ache in her throat intensified. Dad never cried. He was trying very hard not to do it now. He sniffed twice and rubbed his cheek with the side of his index finger, a tiny little movement that broke SJ’s heart.

She couldn’t speak and she couldn’t bear to see the pain on his face. Shutting her eyes again she let herself drift backwards into the soft black space of her mind.

The next thing she was conscious of was someone lifting the wrist that wasn’t wired to the machine and taking her pulse.

It was the nurse who’d given her the water. She had tiredness lines around her eyes and spoke gently. “How are you feeling?”

“Quite bad,” SJ said, hearing her voice come out hoarse and unused.

The nurse nodded and wrote something on a clipboard. “You’ve got a visitor if you’re up to it.”

As she spoke another woman slid into SJ’s line of vision. She was small and serious-looking with bobbed hair and Yves St Laurent glasses.

“Hello, Sarah-Jane. I’m Doctor Maria Costello; I’m from Clinical Medicine. I’d like to have a little chat with you if I may?”

SJ nodded, although her consent was clearly not required. The doctor had already pulled up a chair.

“Do you know why you’re here?”

“No. Have you come to tell me what’s wrong with me?”

“Would you like me to tell you what’s wrong with you?”

“Yes please.” SJ lay back on her pillow, exhausted with the effort of speaking. Everything still hurt and she could smell antiseptic hand wash. It was beginning to make her feel sick.

She watched the doctor’s face through half closed eyes. Shadow memories lurched at the back of her mind and suddenly she wanted to say, “No, stop, I’ve changed my mind. I don’t want to know.”

But it was too late. The doctor’s mouth was moving again, her words crisp and precise. “You are suffering from alcoholic poisoning. On Sunday your husband found you unconscious at home and he called an ambulance. If he hadn’t acted as quickly as he did, you wouldn’t be here now. The quantities of alcohol we washed out of your stomach were more than enough to kill you.”

SJ covered her face with her hands. The memories were taking form, becoming less shadowy, forcing their way up to the surface.

There had been some terrible argument with Tom. She’d been trying to stop him leaving the house. She was holding tightly onto his arm and he was trying to shake her off and his face had been grimmer than she’d ever seen it. As if he really hated her. As if he couldn’t bear to be married to her for a moment longer.

She could feel herself starting to shake, in a place deep inside. Because there were other images coming too, only these were more detached. She was watching herself from a distance. She was watching herself cross the hallway of her house, go into her lounge and unclip the gin bottle from the optic behind Tom’s bar. She could see her own hands getting out glasses and lining them up – a long line of glasses on the bar.

Four crystal tumblers, two pewter tankards, five little shot glasses Tom used for whiskey chasers if ever he was in the mood, and one commemorative wine glass with the words Sarah-Jane and Tom, on their wedding day, May 2009 inscribed on the side.

“I did this to myself,” she said, closing her eyes.

The doctor’s voice was very serious. Almost cold. “Are you conscious of the danger you placed yourself in? Last Sunday afternoon you drank almost a full litre bottle of gin. I’d like you to tell me why.”

And if you’d like to know what happens next you can find out for less than the price of a gin and tonic 🙂 by clicking here

 

 

Ice and a Slice

You know when authors tell you, ‘this is the novel I always wanted to write?’  Well Ice and a Slice is mine. Ice and a Slice is the novel I always wanted to write.

I’ve landed myself two agents on the strength of it. Both of them helped me to make it better, particularly my current agent, Becky Bagnell, from the Lindsay Literary Agency,  and I am very grateful.

Ice and a Slice is about friendship, it’s about beating the odds and it’s about love.  The heroine, Sarah Jane, is deeply flawed and deeply human and I love her to bits.

Sarah Jane thinks everything is just great.  Her family is great, her marriage is great, her life is great. But Sarah Jane has a secret that is eating her up – life isn’t quite as great as she’d like to believe. She is in denial about her family, her marriage and her life. But most of all she is in denial about her drinking.

Her best friend, Tanya, has much worse problems. Sarah-Jane is determined to help her out with them – just as soon as she’s convinced Kit, the very nice man at the addiction clinic, that she’s perfectly fine.

She is perfectly fine, isn’t she?

There’s a lot of me in this novel.  There’s a lot of truth in it. It’s the novel where I finally found my voice. I hope that one day I’ll write another novel as good as this one.

I hope, also, that you’ll love reading Ice and a Slice as much as I loved writing it.

Available now for Kindle. Paperback coming soon.

Buy at amazon.CO.UK: here
Buy at amazon.COM: here

Click here to see the Facebook page

Click here to follow Sarah Jane on Twitter 

Social Media to promote your books – does it work?

Write a blog, set up a Facebook page, get a website, Join Twitter, Join Linked-In, and all the other social media sites out there.  Get a public profile. Get a platform. This is what we are told we must do if we want to sell books.

Does it work? If we manage to fit all this in (whilst also writing the books in the first place) will we have lots of sales?

And more to the point what does doing all this stuff actually mean? Do we go on Facebook and Twitter and endlessly mention our books? (yawn!) What do you do when you see yet another new book on your Facebook timeline or your Twitter feed? Do you  instantly download it? Maybe if it’s free and looks good, you do. Or do you just move on to something more interesting?

My latest novel, Ice and a Slice (what do you think of the cover by the way?) is about to come out. Initially it will be released as an ebook in a week or so. I may tell you this again!

However, I am experimenting with different approaches to marketing. For instance, SJ, my main character, has her own Twitter account. Mornings or afternoons are best to talk to her as she’ll be sober then. But evenings might be quite good fun if you don’t want a serious conversation!

You’ll find her on Twitter as Sarah Jane in denial @SarahJaneCrosse

Please do go along and say hello.

SJ also has her own Facebook page at Ice and a Slice

I would love to know your thoughts on using social media creatively 🙂

 

Tell your friends!

© Della Galton All rights reserved.
Powered by Cloudbase Media