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Tag: plotting

The Elements of a Short Story

I often get asked if there is any sort of checklist for writing a short story.  And yes, I think there is.  Here is what I think a short story should include:

A character who has a problem/conflict which must be resolved by the end of the piece in an unexpected way.

In fact this definition could, very roughly, be applied to all fiction.  If one or more of the elements are missing the story won’t quite work. Don’t take my word for it.  If you have a story that doesn’t work, try running this checklist against it. Are the following elements in place?

  • Character
  • Conflict
  • Change
  • Resolution
  • Surprise

If a story isn’t working, I very often find that one of the last two is missing. Another common problem (oh the irony) is that there simply isn’t enough conflict, i.e. the character doesn’t have a big enough problem for the length of the piece.

Don’t take my word for it. If you have a story that doesn’t quite work, apply the checklist and see if you can fix the missing element and get the story to work.

Happy Editing!

Della xx

PS if you would like some more help with identifying what’s gone wrong with a short story I’m running two summer workshops in Bournemouth on Saturday 21 July and Sunday 26 August.  You can bring along a story of up to 2000 words for detailed feedback.

  • Venue: Kinson Community Centre
  • Time 10 till 4.00
  • Cost £40
  • Email me via this website to book.

 

 

 

 

Creating Characters – How well do you know your imaginary people?

Sometimes a character comes into my head fully formed. Sometimes they are shadowy. Sometimes they are shy like real people and I have to get to know them slowly.  Interviewing them is good.

These 21 questions are one of my favourite ways of interviewing them. I may not know the answers, but the character often will. Does that sound mad? Probably, but I’ve never claimed to be completely sane.  I’ve used these questions, or variations of them, with dozens of students.  So I thought I’d reproduce them here. Hope it’s helpful.

  1. Name, age & sex.
  2.  Brief physical appearance. List 3 things.
  3.  Job.
  4. What is your character’s current problem?
  5. Personality type – extrovert, introvert bossy etc.
  6. Where does your character live? Flat, house, rural, city etc.
  7. What, if anything, would make your character laugh or cry?
  8. What is your character’s soft spot/weakness?
  9. What is your character really good at?
  10. What is your character afraid of?
  11. What would make your character furious?
  12. If your character had one wish, what would it be?
  13. How does your character view money?
  14. Does your character have any prejudices? If so, what?
  15. What are your character’s main qualities?
  16. What are your character’s main faults?
  17. Does your character get on with their parents? Siblings? Friends? Neighbours?
  18. What is your character’s biggest secret?
  19. What is the most defining experience your character has ever had?
  20. Who is the last person your character argued with and why?
  21. Summarise your character in a sentence. Pick 3 significant things. E.g. Dora is 82, wears mismatching clothes on purpose and likes to shock her rather pompous son.

One of my favourite things about this particular character sheet is that it doubles up as a plot creation tool. For example Q4 is the basis of a short story or longer piece of fiction.

Q18 is quite good too, when it comes to plotting. Q19 is one of my favourites when it comes  to novels and getting the psychology right.

If you can do Q21 you will probably know your character pretty well.

Happy Writing.

***

My next course, How to Write and Sell Short Stories is at a new venue. Shaftesbury, Dorset. The course will be small – a maximum of 10. (The venue is small.)  It will run on Saturday 12 November between 10.00 and 4.00 and costs £45.  This course is suitable for beginners as well as experienced writers and I hope students will go away with the beginning of a short story, the ending of a short story, (hopefully the same one!) and a good idea of how to develop the middle. Please email me via this website (or leave a comment) if you would like to book a place.

If you would like to know more about writing short stories, please check out my book, The Short Story Writer’s Toolshed. £2.49 for Kindle. £4.99 in paperback.

Creating Suspense in Short Stories – Three Top Tips

I used to believe that the art of writing suspense was mostly about technique – short sentences build tension and pace, longer sentences slow it down. But suspense means so much more than this. So what does the word suspense actually mean?

Maybe I won’t tell you yet…

Just kidding, but, according to the Oxford Dictionary, suspense is a noun and it means:

A state or feeling of excited or anxious uncertainty about what may happen

So how do we create this in our writing? Here are my top three tips:

1. Pose questions, but do not answer them. As soon as you answer a question the suspense is gone.

Here is the beginning of A Table for Four, a story I sold recently to My Weekly.

What should I wear? I looked at the clothes laid out on my bed and sighed. There was a part of me that didn’t really want to go to this reunion lunch. I didn’t want to face all that emotion, all that honesty. I didn’t want to be reminded of the past. And it was going to be odd without Alice. It was the first year that we had met without her.

There are several questions in this opening paragraph. What should the narrator wear? What sort of reunion is it? Who’s Alice and why isn’t she there this year?

In order to create suspense – they should not all be answered in paragraph two. In fact, it’s a good rule of thumb to make sure you never answer a question without posing another one.

2. Withhold Information – for as long as you possibly can without being annoying.

Paragraph two of A Table for Four

For a moment I let an image of her face fill my mind. Her sparkly blue eyes, her ever present smile. I’d loved Alice to bits. I don’t think I’d have got through my surgery or those endless hospital visits without her irrepressible brightness.

Cue flashback.

“Chin up, honey,” she’d say if I’d moaned about my hair falling out. “You’re not going to miss a bit of grey hair, are you?”
“It’s not grey, you cheeky mare,” I’d snap, and she’d click her tongue and shake her head. “You’re smiling though!”
It was amazing how you could joke about the darkest of things. It had often surprised people – family and friends – when I’d told them how much laughter there had been on Marshall Ward.
I had to go to the reunion. Besides, I wanted to find out how everyone else was.

So now we know a bit more about Alice – but we still don’t know who she is – or where she is – or exactly what’s going on here, although we are slowly being given more information.

3. Use Foreshadowing

I don’t mean the type where you say, she had no idea that tonight would be the last night of her life. Although that might well create suspense, it’s a bit clunky and amateurish. Instead, set up a scene or situation where you don’t explain something that will crop up later. Here’s a paragraph a little later in A Table for Four.

The waitress came for our order.
“Are you still waiting for someone?” she asked, glancing at the empty space beside me.
I shook my head, but when she moved to clear the surplus knife and fork, I stopped her. “Please could you leave them?”
“Er – yes, sure…” The waitress looked puzzled but no one enlightened her.

In this way although the reader might well guess that the fourth place is for Alice, they won’t know for sure why the others want it left, even though she isn’t coming.

The art of writing a good short story is to keep the reader guessing. Indeed if you’re writing a twist you need to keep them guessing until the very end. It’s the same with all writing. If you’re writing a novel or novella you have the luxury of cliff hangers too – don’t just keep them for chapter endings – use them for scene endings.

At the end of your short story the questions you’ve posed need to be answered. For example at the end of A Table For Four – we find out why a place has been set for Alice, even though she isn’t coming, and where she actually is. And there’s also a little twist. I’m afraid I can’t reveal the end as I don’t think this story has been published yet. If the suspense is really too much – email me privately and I’ll tell you!

PS in other news: my novel, Ice and a Slice is on Kindle Countdown. Between Friday 27th June and Thursday 3rd July it’s only 99p instead of £1.99.

The Wednesday Writing Spot – Plotting the longer Short Story

Plotting was the bane of my life when I started writing. It still trips me up now occasionally, particularly when I’m changing lengths, for example from 1000 to 2000 words. So here are some tips for writing the longer short story.  They are very popular in fiction specials.

This advice also works well when trying to reduce your longer stories to short ones. Just reverse it.

What’s the difference between 1000 words and 2000 words in plot terms?

There is not as much difference between the two as I thought when I first started writing.  I assumed that if I needed one or two main characters with a problem to solve in a 1000 word story, then I’d probably need more characters and more of a problem for a 2000 or 3000 word story.

I soon discovered that this was not the case. You won’t necessarily need more characters or more plot for a longer short story, but you will need more development of both.  This is usually achieved by writing more scenes.

Very short stories

In a 1000 word short story you won’t have room for more than a couple of scenes, probably three at the most and that might be pushing it.  We will probably join your character at the point of change or conflict. For example, let’s assume your character is worried about a forthcoming appointment she has the following day. Your story might go something like this:

Scene one

Your character is discussing her worries with friend or partner.

Scene two

Your character goes for the appointment.

Scene three

Resolution and possibly a twist.

If you did follow the format above for a 1000 word short story, then you’d have to make your scenes extremely short – you’d have just over 300 words to devote to each one.

If you had more space to play with, you might also have a flashback of exactly why your character was so worried about her forthcoming appointment. Your story might then go something like this:

Scene one

Your character is discussing her worries with friend or partner.

Scene two

Flashback in your character’s viewpoint to show a previous occasion when she had to go to an appointment and it didn’t work out – hence meaning the stakes for today are higher and we (hopefully) care about it more.

Scene three

Your character at the appointment.

Scene four

Resolution and twist

The number of characters and the plotline are the same, but the story is longer and has more depth because we have more development of both.

This helped me so much when I first got it. Hope it helps you too.  And if you’d like any more advice on writing short stories, please check out my two writing guides. How to Write and Sell Short Stories published by Accent Press and The Short Story Writers’ Toolshed published by Soundhaven.com

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